Cover of the book Graphic Design in Urban Environments by Robert Harland. The image shows an aerial view of a public plaza with curving water features and people gathered around them. A large red architectural structure cuts across the foreground, framing the urban scene and highlighting the relationship between graphic design, public space, and city environments.

Reader’s corner book of the month: August 2026

Featuring publications of relevance to our industry, including those cited in SDS e-newsletter lead articles and suggested additional reading, we’ve recently relaunched the SDS Reader’s Corner book of the month page. Each month we will showcase a suggested read that relates to our professional areas of interest, be it a seminal publication or something more tangential. We hope the books we select will offer you insights and inspiration.

If you any suggestions of books, particularly newly published ones, that you think would be of inte arest to our community, please email us: enquiries@signdesignsociety.co.uk.

For August ’26 we feature Graphic Design in Urban Environments, by Robert Harland (published on 20 October 2016, by Bloomsbury Publishing PLC.)

  
Cover of the book Graphic Design in Urban Environments by Robert Harland. The image shows an aerial view of a public plaza with curving water features and people gathered around them. A large red architectural structure cuts across the foreground, framing the urban scene and highlighting the relationship between graphic design, public space, and city environments.

Synopsis

“This book introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems. These elements, smaller than buildings, are generally understood by urban designers to comprise such phenomena as sculpture, clock towers, banners, signs, large screens, the portrayal of images on buildings through “smart screens,” and other examples of what urban designers call “urban objects.”The graphic object as it is defined here also refers to a range of familiar things invariably named in the literature as mapsstreet numbersroute signsbus placards, signs, architectural communication, commercial vernacular, outdoor publicity, lettering, banners, screens, traffic and direction signs and street furniture. One can also add markings of a sports pitch, lighting, bollards, even red carpets or well dressings.

By looking at the environment, and design and deconstructing form and context relationships, the defining properties and configurational patterns that make up graphic objects are shown in this book to link the smallest graphic detail (e.g. the number 16) to larger symbolic statements (e.g. the Empire State Building). From a professional design practice perspective, a cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.”

Buy a copy

As of 05.08.2026, the paperback and e-book editions are available to buy @£21.59 (RRP £26.99) via Bloomsbury Publishing.

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